Have you ever cooked a meal at home and been delighted to find the perfect ingredient to complement your recipe? Maybe you forgot you had cilantro, crushed peanuts, or lemon juice, and it’s just the thing you needed to elevate your dish.
Long gone are the days of zipping up folders of font files and sharing them across your organization, or even messier, embedding fonts in documents in the cloud in hopes that the design remains intact. We recently announced an expanded set of licensing rights which allows all employees within an organization to access Commercial Production Fonts in their desktop environments.
This week we’re welcoming Andrew Krivine, author and punk rock collector, alongside Michael Worthington, faculty at CalArts and co-founder of Counterspace. The creative duo is here to tell the tale of how they co-created the largest exhibition of punk and new wave graphics ever shown on the West Coast.
Over the past four years, we’ve been lucky to forge a reciprocal partnership with the Limerick School of Art & Design / TUS in Ireland. Both Creative Type Directors Tom Foley and Emilios Theofanous have now participated in workshops and modules at the leading fine art, design and creative media school. This year’s students were asked to write a message platform for one typeface and build a marketing plan and design assets to promote it in digital or print media.
When you’re a designer, it’s thrilling to create a new brand or update an existing one. You get to be creative! Strategic! You get a chance to make your mark!
In addition to deciding on a color palette and imagery style, you get to choose foundational typefaces for your brand. But font selection should not be based on looks alone.
Today’s designers are faced with a multitude of new challenges when it comes to designing for a digital world. Customers expect constant communication, have short attention spans, and expect brands to keep up with emerging technology. Learn about the branding challenges to advance your digital strategy and forge ahead.
You’re at your desk reviewing your emails, and getting ready to kickstart a new design project tomorrow. You’ve read over the project brief, and you have a team call coming up to go over the project guidelines. It’s an exciting challenge, but you’re not sure where to begin.
Today we’re welcoming Annie Atkins, a creative in the film industry (just like our last guest, Holly Fraser). She’s known for her graphic props and set pieces for Wes Anderson’s Grand Budapest Hotel and Isle of Dogs. Tune-in to learn about the magic of film.
In episode four we talked with Tré Seals, founder of Vocal Type, about his efforts to break down stereotypes in design and how a middle-school side gig, born out of a brush with serious childhood medical issues, helped him become the artist he is today.
Find design inspiration in an age of information overload.
We are thrilled to have Aaron Draplin on the podcast this week and to dig into the “heavy stuff” with him – existential musings on life and building a career, the importance of hanging on to your inner kid, and the “weird little spot” he’s in as he approaches 50 turns around the sun.
Today’s brands must keep up with a fast-paced digital world and navigate a “new normal” that’s still emerging from the worst of the pandemic. The last few years shifted everyone’s digital expectations, how brands operate, and in some cases, impacted their business models. Moreover, issues like biodiversity, sustainability, diversity and equity, and brand activism are all booming. So how does this all impact brand building? These macro shifts are greatly influencing how companies position themselves, the services they offer, and how they communicate with their customers.
From alternates to X-height, this list of typography terms and definitions covers just about everything you’d want to know about fonts and typography.
Font superfamilies are vast collections of type that can meet a multitude of needs without compromising on consistency. But what defines a superfamily, exactly?
A letter is more than the sum of its parts, but sometimes it helps to know what those parts are called. And it may not surprise you to learn that in a field as meticulous as typography, every little piece of a letter has a name.
Now that the Adobe MAX dust has settled, we bring you our second annual recap of the inspiring event that brought 10,000 from around the world to Los Angeles in late October. Listen to the episode for more.
There is nothing as exhilarating as spending three jam-packed days surrounded by friends old and new, learning with each other and from one another at Adobe MAX. Read on for our thoughts after the event.
The Globe and its archive are now part of the Maryland College Institute of Art (MICA). Tune in as Charles Nix is joined by Allison Tipton from MICA to discuss the living legacy of this landmark print shop.
Monotype’s Japanese typeface, Tazugane Gothic® Info has been selected by Shoei Co., Ltd. as the font used in Opticson, a smart helmet for motorcycle riders mounted with a head-up display (HUD).
This week, we dive into Monotype’s scientific research on the emotional power of typography. Marie Boulanger, Senior Brand Designer at Monotype, joins as a guest and shares some of the thinking, methodology, and insights behind the global studies. Tune in for more.
We recently had the fortune of hosting our first-ever Brand Talks in Chicago. Read on as we recap some of the highlights from this wonderful event.
David Berlow has been at the forefront of type design, publishing, and technology for 45 years. In this week’s episode Tom Rickner, the Senior Director of the Studio at Monotype, sits down with Berlow. Tune in to hear the two reminisce, talk shop, and explore Berlow’s influences, predictions, and perspectives on mentorship and team building.
