Brand Talks Paris

We recently had the pleasure of hosting Brand Talks in Paris. It was our second time ever hosting in the French capital and was a great success! Surrounded by stunning views of the Parisian skyline, the Eiffel tower looking over from afar, we sat down for a captivating afternoon, listening to some of the industry’s finest. Renaud Cambuzat from lingerie brand Chantelle kicked things off with a presentation about restructuring in an evolving market. Then, Reza Bassiri, from design agency Carré Noir, accompanied by Isabelle Duvernay (from CCF bank), presented two case studies: the rebirth of French banking landmark CCF, and the recent rebrand of the Kronenbourg brewery. Alexandre Delassus and Pascal d’Amico followed up with a candid presentation of sporting mega-brand Decathlon’s rebrand. Our very own Damien Collot and Laurène Girbal closed off the event with a poetic nod to what makes typography so fascinating and intriguing.

7 common problems organizations face due to poor font management practices.

Every organization has their own approach to managing their fonts, but oftentimes these practices aren’t consistent across the board. This makes working with fonts tricky and causes issues over time.

5 Monotype Fonts features you’ll love.

Here are 5 of the best Monotype Fonts features to make font use easier. Monotype Fonts is not just a font library, it’s a cloud-based font management solution. Whether you’re a creative or an administrator, here are some of the Monotype Fonts features that will soon become your favorite.

What do your fonts say about you?

Your customers see your brand through design and typography. Typography is your brand’s ambassador. It is your visual voice, speaking for you every hour of every day, everywhere your brand lives.

Touvlo: a zestful, modern grotesque with lively flair.

New from the Monotype Studio’s Creative Type Director, Emilios Theofanous, Touvlo – meaning brick in Greek – is an homage to London and the view from his studio window.

Shorai Sans.

New from the Monotype Studio, Shorai Sans is a contemporary Japanese sans serif designed by Creative Type Director, Akira Kobayashi; type Designer, Ryota Doi; and  typography legend, Yukihiro Nakamura. 

Cotford takes you places: A soulful, contemporary  serif typeface for the digital age.

New from the Monotype Studio, Cotford is a contemporary serif from Creative Type Director, Tom Foley. Cotford is available as a variable font and as 16 static weights, including  Display and Text styles. Cotford is available to all Montoype Fonts customers and can also be purchased at MyFonts. 

More of everything, for everyone. Introducing Helvetica Now Variable.

Helvetica Now Variable, new from the Monotype Studio, offers more than a million new Helvetica styles in one state-of-the-art font file, allowing you to create infinite shades of expression, incredible typographic animations, and ultra-refined typography.

Introducing Futura Now: The definitive version of an iconic family.

Futura Now is the definitive version of the definitive geometric sans, re-digitized based on Paul Renner’s original designs and updated to provide a more contemporary typographic palette.

Meet FS Rosa.

Serif typefaces are sometimes seen as serious and overtly intellectual, a more somber sister to their laid-back counterpart, the sans serif. But FS Rosa breaks away from these conventions by combining the classic elegance of a serif with warmth and frivolity, created by its round letterforms and curves. 

Meet Macklin.

Malou Verlomme’s Macklin superfamily is a gently irreverent take on the display type of the late 19th century, with an elegant twist that updates these letterforms for modern use. Choose one style, or use the entire variable family as a type toolbox.

Veto Sans and the art and craft of Marco Ganz

“Typeface design is not an art. It’s a craft,” says Marco Ganz, the designer of Veto Sans. “People are familiar with letters. Letters have a purpose. Art has no purpose beyond making people think or wonder.”

Neue Kabel: reshaping a lost classic.

Neue Kabel brings back the liveliness of the original’s strikingly quirky characters, while adding in the long-lost italics and missing glyphs needed for it to address a wide range of editorial and branding purposes.

Meet Placard Next.

Placard Next is a reimagined version of a 1930s poster design, that takes all the original quirky details and refines them for digital use. Its condensed versions pack an instant typographic punch when used at large sizes, introducing some unusual flavor to posters, headlines and anywhere else designers need to make a statement.

A digital-ready Chinese sans-serif is born.

Many Chinese typefaces have a reputation for looking dated and not reading easily on small screens— not M Ying Hei. It checks all the boxes that it’s forefathers can’t.

Tazugane Gothic.

The first Japanese typeface from Monotype is a humanist sans serif, designed to work in partnership with Neue Frutiger. Tazugane Gothic sets out to introduce a new typographic standard, allowing designers to comfortably set Latin and Japanese characters alongside one another while maintaining visual harmony.

Embrace Ambiguity.

Monotype introduces Ambiguity, a typeface designed to effectively express a range of attitudes and beliefs.

From Neue to Now: How Helvetica evolved for the 21st century.

Designers and studios might be deeply familiar with Neue Helvetica, but it’s the product of a pre-digital era. Here are four reasons why it’s time to switch.