Tag: Creative matters

56 articles

Creative Characters S2 E11: Ximena Amaya on the role of design in communication, architecture, and protest.

This week we’re speaking with Ximena Amaya, recent graduate of ArtCenter in Pasadena, California by way of Mexico City. Listen in as Kadley Gosselin, Senior Content Strategist at Monotype talks with Ximena about what led her to study design, her desire to use typography as a tool for protest and her exhibition work for emerging technologies as an intern at Pentagram.

Need Type 1 Font Replacements? Monotype Fonts Is Here to Help.

Is your brand ready for the end of Type 1 or PostScript fonts? If you haven’t begun the process of replacing those fonts yet, it’s definitely time – Adobe is ending all support for these font formats by January 2023. Avoid disruption by taking action now!

How to Prepare for the End of Type 1 Fonts.

By the end of this year, you will no longer be able to create new content with Adobe’s Type 1 fonts (also known as PostScript, PS1, T1, and Adobe Type 1 fonts). Read our guide to see if you need to update your font library. 

4 Things You Need to Know About the End of Adobe’s Type 1 Font Support.

Adobe has announced that they’ll sunset support for authoring content with their Type 1 fonts (also known as PostScript, PS1, T1, and Adobe Type 1 fonts) by 2023. Read on for what you need to know.

Creative Characters S2 E10: Sarah Boris – On the power of defining yourself as a creative.

Today, we’re welcoming Sarah Boris, a London-based artist who runs her own creative studio. Creativity seems to be in her DNA. Tune in as Sarah talks about her experiences working in-house versus running an independent creative studio, the power of titles, and her interest in pop art.

Creative Characters S2 E9: Nathan Lance – How to build an (authentic) sustainable brand.

This week’s guest is passionate about designing for change. We’re welcoming Nathan Lance, creative director at Leap, a B Corp certified design agency in Truro, England. Nathan is here to spill the tea on eco-friendly design, sustainability, and brand transparency.

Webinar: The science behind the emotional impact of type.

Webinar: The science behind the emotional impact of type.

Making sure the environment is conducive to doing great creative work.

Making sure the environment is conducive to doing great creative work.

In search of a sustainable NFT: Why we chose the Avalanche blockchain for our NFT projects.

It’s no secret that the environmental impact of minting, bidding, and selling NFTs is significant. Environmental considerations were at the top of our priority list as we began exploring this through our partnership with KnownUnknown and eventually led us to select Avalanche as our NFT platform. Read on to learn more.

Helvetica The NFT FAQ.

We recently partnered with KnownUnknown to create an NFT project featuring more than two dozen artists from around the world, working in mediums such as graphic design, branding, footwear design, and photography, all of whom are using Helvetica Now Variable to create unique, original art. Read on for more information about the project. 

Musings from the metaverse: early NFT lessons for the type industry. 

We recently attended NFT LA and Miami NFT Week, where we mingled with investors, designers, artists, and blockchain builders. Here were our key takeaways on the potential for this emerging community.

Monotype x Limerick.

Over the past four years, we’ve been lucky to forge a reciprocal partnership with the Limerick School of Art & Design / TUS in Ireland. Both Creative Type Directors Tom Foley and Emilios Theofanous have now participated in workshops and modules at the leading fine art, design and creative media school. This year’s students were asked to write a message platform for one typeface and build a marketing plan and design assets to promote it in digital or print media.  

What are NFTs and how will they impact the type industry?

The concept of nonfungible tokens, or NFTs, entered the mainstream in February 2021 and the buzz hasn’t stopped building since. As NFTs become more established, what potential do they hold for typography as both a business and an art form?