
Creative Characters.
Big brands, ideas, and big breaks with Tongal’s James DeJulio.
In this week’s episode, Monotype’s Bill Connolly sits down with James DeJulio, co-founder and CEO of Tongal, a “studio on demand” that boasts an impressive roster of clients like LEGO, PayPal, NBC Universal, and more.
Mark Simonson has designed some of the most widely used typefaces in the world. Host Charles Nix sits down to talk influences, process, and why truly memorable work – such as Simonson’s versatile, legible, and wildly ubiquitous Proxima Nova – has to be “both novel and familiar.”
Monotype’s Executive Creative Director, Charles Nix, sat down with Canva’s Head of Design, Andrew Green, to talk about his own international career beginning at agencies in New York and Hong Kong and circling back to Canva, where he now oversees the design leadership team in Melbourne.
After 18 years designing for some of the biggest names in professional sports, Maureen Raisch embarks on a new journey as the first-ever Creative Director for the National Women’s Soccer League. In this week’s episode she reflects on the importance of visibility and inclusivity in sports branding, the power of design to elevate women’s sports, and what she calls her own “personal rebrand.”
This week, we take you behind the scenes of one of Monotype’s biggest, and most anticipated campaigns of the year: the annual Type Trends report. Tune in to hear from the report’s curators, Creative Type Directors Terrance Weinzierl and Emilios Theofanous on their experiences producing the report.
This week, we take you behind the scenes of one of Monotype’s biggest, and most anticipated campaigns of the year: the annual Type Trends report. Tune in to hear from the report’s curators, Creative Type Directors Terrance Weinzierl and Emilios Theofanous on their experiences producing the report.
We are thrilled to have Aaron Draplin on the podcast this week and to dig into the “heavy stuff” with him – existential musings on life and building a career, the importance of hanging on to your inner kid, and the “weird little spot” he’s in as he approaches 50 turns around the sun.
Monotype’s Executive Creative Director, Charles Nix, speaks with guests Michu Benaim Steiner and Lope Gutierrez-Ruiz, about their Texas-based design studio, In-House International. They’ve done type work for over 100 clients, and their typeface Perfora was recently featured in Monotype’s Type Trends Report. Keep reading for a behind-the-scenes look into their creative process.
In our first episode of Season 3, we welcome the new Senior Director of the Monotype Studio, Tom Rickner, as a first-time host. Tom speaks with Jim Moran, master printer and collections officer for the internationally-known Hamilton Wood Type Museum. Keep reading for a glimpse into the museum’s history and to learn why the letterpress is still so important today.
Elliot Jay Stocks, designer and musician, joined us on the podcast this week to speak about passion projects. Known for his typography work, Elliot is a freelance designer and was previously Creative Director at Adobe Typekit. Today, he’s working with Google on Google Fonts Knowledge.
Fonts are often the first branding element your customers see. They give shape to your message, and communicate with your customers 24/7/365. So, when was the last time you asked yourself what impression your fonts are making? Check out this video to find out what you should be looking out for.
We recently packed up our recording gear and traveled to Adobe MAX, one of the largest creative conferences in the world, to scan people’s brains (yes, really) and connect with creatives just like you. Listen to the episode to find out more.
Monotype Fonts was designed with designers in mind, as we like to say. But it’s also true that we built it to meet the needs of modern organizations, which also means building for a range of teams, including IT.
Superheroes need sidekicks. Professional sports teams need coaches. And creative teams out there, whether they’re top-tier agencies or up-and-comers hungry to be the best, need a support team they can count on — especially when it comes to addressing their specific typeface and font licensing needs
You’re at your desk reviewing your emails, and getting ready to kickstart a new design project tomorrow. You’ve read over the project brief, and you have a team call coming up to go over the project guidelines. It’s an exciting challenge, but you’re not sure where to begin.
Craig Ward: From metal type to the digital unknown.
This week, host Charles Nix sits down with Craig to talk about his career, his myriad side projects and quirky pastimes, and how technology could revolutionize the way we use type and ensure the rights of ownership for designers.