Monotype extended its partnership with Adobe to offer hundreds of new fonts to Creative Cloud customers.
Hearst Magazines Digital Media uses Mosaic to create consistent visual brands across channels.
Monotype and The Studio created a custom font that allows H&M to speak stylishly across all brand communications.
Partly inspired by the world of film, Malden Sans is a mischievous, devil-may-care sans serif that embraces its imperfections, rather than polishing them out
Designer Carl Crossgrove has created a typeface that retains the feel of handwritten calligraphy, but still offers the versatility of a digital design.
Adobe's move to get out of the business of fonts as a standalone offering might be good for creative professionals, but what about enterprise customers?
In this webinar, Monotype Type Designer Terrance Weinzierl walks through the four major figure styles and the corresponding OpenType functions in Illustrator.
Placard Next, by Malou Verlomme, is a reimagined version of a 1930s poster design, that takes all the original quirky details and refines them for digital use.
Laura Worthington and Jim Wasco’s new hybrid script family can be as casual or formal as the occasion demands.
Actions speak louder than words. But for marketers trying to form genuine, lasting relationships with their customers, embodying that ideal is complicated.
Choosing the right typeface can be a daunting task for any brand. We explored this topic in greater detail during a panel discussion at this year's Adobe MAX.
Monotype's VP of Marketing, Alice Palmer, spoke at AMA Marketing Week Live about the role of persona-based marketing in building a customer-centric experience.
This global super family supports more than 150 languages and scripts, with all the warmth and clarity of the original Frutiger design.
When designing with type, the use of numbers can take a layout from good to great. Here's how to use them to the best of their ability.
The decision to update your brand is a difficult one. When is the right time? Our newest eBook can help you make the decision and find a way forward.
Lynne Yun's Trade Gothic Inline runs the gamut from elegant type that's barely there, to sturdy letterforms that can stand up to anything.
Designed as the latest addition to Xavier Dupré’s FF Sanuk family, this sprightly sans serif font contrasts softness with structure.