
Is the text on your website ADA accessible? Part one: Color
In this three-part series, we’ll show you how fonts can help your website follow the standards of the Americans with Disabilities Act. First up: Color choice.
In this three-part series, we’ll show you how fonts can help your website follow the standards of the Americans with Disabilities Act. First up: Color choice.
When it comes to the display fonts, there's more freedom to experiment and play. Not just with the type itself, but with people's expectations.
We asked the Monotype Studio team to share some standout sports logo design (and a few forgettable attempts), both contemporary and from childhood.
Mastercard made waves when it announced that it will drop the word “Mastercard” from its logo. But is it the right decision for every brand?
Conveying a clear message means using a typeface that's effortless to read. This installment of the Good Type series examines which factors affect readability.
How do fonts influence your perception of a city and its identity? See how the right choice can convey the image of a place is and what it aspires to become.
If fonts could speak, what would they say? The second installment of our Good Type series looks at how the fonts you choose impact the voice of your brand.
This first installment of the Good Type series shows how traces of the same forms and styles emerge again and again as fonts are created or revived.
Partly inspired by the world of film, Malden Sans is a mischievous, devil-may-care sans serif that embraces its imperfections, rather than polishing them out
Designer Carl Crossgrove has created a typeface that retains the feel of handwritten calligraphy, but still offers the versatility of a digital design.
Adobe's move to get out of the business of fonts as a standalone offering might be good for creative professionals, but what about enterprise customers?
Sans serifs have long dominated the world of corporate branding, but some companies are going for a different look: Fun, funky serifs. What's behind the change?
Imagine inventing a brand new written alphabet. How would you do it? What challenges would you face adopting it for digital use? That is the story of Adlam.
Terrance Weinzierl discusses how he worked with Crispin Porter + Bogusky to deliver a taste of modern Americana with a flexible custom typeface for Domino’s.
In this webinar, Monotype Type Designer Terrance Weinzierl walks through the four major figure styles and the corresponding OpenType functions in Illustrator.
Placard Next, by Malou Verlomme, is a reimagined version of a 1930s poster design, that takes all the original quirky details and refines them for digital use.
Laura Worthington and Jim Wasco’s new hybrid script family can be as casual or formal as the occasion demands.
Actions speak louder than words. But for marketers trying to form genuine, lasting relationships with their customers, embodying that ideal is complicated.
Choosing the right typeface can be a daunting task for any brand. We explored this topic in greater detail during a panel discussion at this year's Adobe MAX.
Monotype's VP of Marketing, Alice Palmer, spoke at AMA Marketing Week Live about the role of persona-based marketing in building a customer-centric experience.