Type resources for designers and brand owners

We recently had the pleasure of hosting Brand Talks in Cologne. It was our first ever aufenthalt  in the carnival-capital, and it was a great success! We enjoyed a captivating afternoon, hearing from some of the industry’s finest, talking about what they do best. Monotype’s  Creative Type Director,Sina Otto set the stage with a powerful opening. 

There comes a time in every organization’s life when a makeover becomes essential.

Over the last year or so, Pearlfisher became a Monotype agency partner, and doing so has made life a lot easier for the Realization team. Read on to learn how Monotype Fonts has streamlined organizing font files and tracking licensing information for Pearlfisher.

Get to know Gabriela Parra Sánchez, the 2024 Beatrice Warde Scholarship recipient, an artist and illustrator in formation at the Bauhaus Universität Weimar. Read on for an interview with the promising young designer. 

Get to know Patrick Guanaz, the 2024 Adé Hogue Scholarship recipient and a senior at Centro Universitário Senac in São Paulo, Brazil. Read on for an interview with the promising young designer. 

There comes a time in every organization’s life when a makeover becomes essential.

Inspired by a conversation with the power-couple in typography who blessed the world with the Wingdings font families, we bring you a two-part deep dive into all things dingbats.

Inspired by a conversation with the power-couple in typography who blessed the world with the Wingdings font families —Kris Holmes and Charles “Chuck” Bigelow—we bring you a two-part deep dive into all things dingbats. Here, in Part 1, we unpack dingbats with a focus on Wingdings; In Part 2, we look at “Dingbats beyond Wingdings: Zapf Dingbats, Webdings, Emoticons, and Emojis”.

With so many fonts available for free, why should you ever pay for one? This is the question many brands face. There are plenty of high-quality free fonts available from reputable libraries that will do the job for a variety of projects.

Why forward-thinking font planning pays off.

If you want to go fast, go alone; if you want to go far, go together. Accompanying you on your company’s branding journey, this guide is designed to support you as you decide which path to take when it comes to font license acquisition.

In our modern world, fonts are all around us. In our books, on our phones, and across our roadways, fonts help us navigate the spaces we engage with. Fonts are powerful. They play a pivotal role in visual communication, conveying messages, establishing brand identities, helping make content more accessible, and shaping user experiences across mediums. 

Type is everywhere all the time, from mundane signage to extraordinary examples of cutting-edge design. In some cases, people might think type doesn’t matter, but our own Charles Nix has a different theory.

Creative Characters Ep. 19: Chelsea Goldwell.

Variable fonts have been around for a few years now and are very well supported. But how much do we know about all the ways they can benefit a brand and its audience? We’ll take a look at how CaseCo, an admittedly fictitious company, has incorporated them throughout their brand identity and web experience: from brand voice and fidelity, to more expressive typographic choices, to being more accessible to more people across more devices — and even some benefits for website engineering and infrastructure teams. Even if only one or two of these use cases make sense for your work — variable fonts are ready to make a huge impact for your organization. 

In part 1, we explored how a GPU can be used to render text in an application to enhance the performance. “Glyph Rendering and Texture Mapping” can be used to pre-render glyphs in a GPU texture and mapping of glyphs in that texture can be used at runtime to show those glyphs at proper position. 

Bekaert — Typographic purpose with Interbrand and Monotype

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