In the first episode of Season 2, Carl Unger sits down with calligrapher, letter artist and “beachscriber,” Andrew van der Merwe from Cape Town, South Africa.
For many designers making it to the coveted role of Creative Director at a reputable agency is viewed as a ‘dream job’, and the realisation of reaching the very top of the career ladder. Fortunately, working with BNO Creative Director’s Forum, Monotype’s Phil Garnham is here to elucidate what it takes to become a Creative Director and how to thrive in the position - and even some wellbeing tips mixed in.
A high-profile automaker recently reported strange rendering behavior in their automotive displays, which were using Monotype’s Helvetica Now font. The automaker shared access to their platform and font integration tools with us, concerned that the rendering issues were due to bad outlines in Helvetica Now.
This year, we had the joy of collaborating with Middlesex University and Andy Gossett’s typography module. Phil Garnham (Creative type director and Middlesex alumni) and Emilios Theofanous (Type Designer, Monotype), had the opportunity to host two online sessions, initially to help kickoff the project and a later session during the semester to discuss the process, critique the designs and answer any type design related questions.
Juan Villanueva, Type Designer at Monotype was interviewed by Print Magazine to discuss his thoughts on what the new normal could look like post-pandemic. Thinking introspectively, Juan was asked how his ‘old normal’ differs from his ‘new normal’ in his creative work and lifestyle. Check out the below to explore Juan’s thoughts - and ask yourself does post-pandemic mean ‘the new normal’ or ‘the next normal’ to you?
First published on Print Magazine.
In this week’s episode, Monotype Type Director, Terrance Weinzierl has an inspiring conversation with designer, educator, and design thinker, Adam Weiler, who currently leads the social innovation program at Steelcase, a furniture company founded in Grand Rapids, Michigan.
In this episode, our own Bill Connolly is joined by Chelsea Goldwell, partner and creative director at Zero Studios, a digitally-native branding studio. Goldwell reflects on her trajectory in design and shares her perspectives on finding balance in this era of intense work.
In our eighteenth episode, Terrance Weinzierl, Creative Type Director at Monotype, talks with Dave Addey, author of Typeset in the Future. Dave work explores type and design choices in sci-fi movies, a fun crossover that has drawn a remarkably big audience.
In our this week’s episode, Monotype’s Brand Designer, Marie Boulanger talks with Ellen Lupton, writer, curator, educator, and designer. They discuss her recent book, Extra Bold: A Feminist, Inclusive, Anti-racist, Nonbinary Field Guide for Graphic Designers, and Lupton’s mission to democratize type through teaching, collaborating, and writing.
In our sixteenth episode, we talk with Tyler Haughey, a photographer whose work highlights otherwise unseen details of Jersey shore beach towns in the off-season. He discusses the creative influence of having a father who was a sign painter, as well as the nature of memory and how signage and décor help anchor experiences in our minds.
This week, Creative Type Director Charles Nix talks to James Horowitz during a London heatwave about the lessons he learned from founding a design agency, his approach to guiding clients through the creative process, and the impact of Instagram and social media on branding and design.
This week’s guests are Jessica Seamans and Dan Black, who together comprise Landland. We discuss their early days of going to (and playing in) DIY punk shows, how screenprinting keeps you humble, and the evolving relationship between music and the art of the poster.
In our twelfth episode, Creative Type Director Charles Nix speaks with James Edmondson, founder of OH no Type Company in California. James shares how he got his start in typography, as well as his perspective on designing a fulfilling creative career.
As this week comes to a close, I wanted to send a quick note to thank you all. This week was an important one for me, and I hope, for Monotype’s employees, partners, and customers as well.
Creative Type Director, Phil Garnham, spoke with the Economist in May about the impact the pandemic has had on typography. With such an unprecedented year we’ve had, Phil uncovers how this period has evolved fonts to become friendlier to their audiences.
Makers of smart watches, wearables, medical devices, automotive dashboards and other resource-constrained devices no longer have to use low-quality bitmap fonts for their displays. The Monotype Spark Solution brings the benefits of scalable type and high-quality multilingual font display to the embedded environment - and it just got a major upgrade.