Juan Villanueva, Type Designer at Monotype was interviewed by Print Magazine to discuss his thoughts on what the new normal could look like post-pandemic. Thinking introspectively, Juan was asked how his ‘old normal’ differs from his ‘new normal’ in his creative work and lifestyle. Check out the below to explore Juan’s thoughts - and ask yourself does post-pandemic mean ‘the new normal’ or ‘the next normal’ to you?
First published on Print Magazine.
Makers of smart watches, wearables, medical devices, automotive dashboards and other resource-constrained devices no longer have to use low-quality bitmap fonts for their displays. The Monotype Spark Solution brings the benefits of scalable type and high-quality multilingual font display to the embedded environment - and it just got a major upgrade.
In episode 10, Creative Type Director Terrance Weinzierl interviews Hannelore Ocampo, Fonts Lead and Type Specialist at Ford Motor Company. The two discuss how to develop a cohesive in-car experience that reflects the needs of modern transportation.
Creative Type Director, Phil Garnham, spoke with the Economist in May about the impact the pandemic has had on typography. With such an unprecedented year we’ve had, Phil uncovers how this period has evolved fonts to become friendlier to their audiences.
Creative Type Director Charles Nix talks with Angelina Lippert, Chief Curator at the Posterhouse museum in New York City, about the history of poster design, the unseen hands behind some of the more iconic posters from history, and the finicky wonder of Rubylith.
Our guest in episode eight was John Norman, a celebrated visual storyteller and former Chief Creative Officer of world-renowned creative agencies like Translation, The Martin Agency, and most recently, Havas Chicago.
In episode seven we talked with Sarah Hyndman, founder of Type Tasting and the author of several books, including Why Fonts Matter and How to Draw Fonts and Influence People.
In episode five we talked with Terrence Williams, Senior Design Lead at Salesforce, who discusses the emergence of relationship design, and shares why it is important for people to bring their full identities into their work.
In episode four we talked with Tré Seals, founder of Vocal Type, about his efforts to break down stereotypes in design and how a middle-school side gig, born out of a brush with serious childhood medical issues, helped him become the artist he is today.
In our first episode, we talked with James Sommerville, co-founder of KNOWN_UNKOWN, about his ideas for the future of creative work, community, and work/life balance in a post-pandemic world.
In episode three we talked with Chicago-based lettering artist Jenna Blazevich, about chain stitching, punk rock, intersectional feminism, and whatever the heck Malört is.
A talk with Tom Foley on trends, the possible decline of Sans Serif, and what makes a type timeless.
Creative Type Director, Tom Foley, sat down Antalis Creative Power to discuss the 2021 Type Trends report, the state of Sans Serif, and consider what makes a font timeless in his latest interview.
First published on Antalis Creative Power
Today, it is a moral imperative that companies and agencies prioritize sustainable, environmentally friendly principles and practices. More and more consumers are demanding that brands act responsibly when it comes to environmental concerns. But what role does visual communication play in this topic, and how can type and design contribute to good sustainability practices?
Kevin Laurino, Manager of Art & Print Production, Retouching, and Finishing at Netflix, shares some experiences from his career-long relationship with fonts and how to tame the beast that is managing a brand’s font licensing. Here are some tips to help get you started.
Every year, Monotype and the Type Director’s Club (TDC) award the Beatrice Warde Scholarship to a young woman entering the design industry. This prestigious scholarship pays tribute to the “first lady of typography,” Beatrice Warde, a champion of type education throughout her career with Monotype and the first female member of the TDC.