Podcast.

Mark Simonson has designed some of the most widely used typefaces in the world. Host Charles Nix sits down to talk influences, process, and why truly memorable work – such as Simonson’s versatile, legible, and wildly ubiquitous Proxima Nova – has to be “both novel and familiar.”

Monotype’s Executive Creative Director, Charles Nix, sat down with Canva’s Head of Design, Andrew Green, to talk about his own international career beginning at agencies in New York and Hong Kong and circling back to Canva, where he now oversees the design leadership team in Melbourne.

Maureen Raisch has spent the past 18 years designing for some of the biggest names in professional sports - from MLB team rebrands to marquee events for the NHL and NFL, including the Super Bowl. Now, as she embarks on a new journey as the first-ever Creative Director for the National Women’s Soccer League, Maureen reflects on the importance of visibility and inclusivity in sports branding, the power of design to elevate women’s sports, and what she calls her own “personal rebrand.”

After 18 years designing for some of the biggest names in professional sports, Maureen Raisch embarks on a new journey as the first-ever Creative Director for the National Women’s Soccer League. In this week’s episode she reflects on the importance of visibility and inclusivity in sports branding, the power of design to elevate women’s sports, and what she calls her own “personal rebrand.”

This week, we take you behind the scenes of one of Monotype’s biggest, and most anticipated campaigns of the year: the annual Type Trends report. Tune in to hear from the report’s curators, Creative Type Directors Terrance Weinzierl and Emilios Theofanous on their experiences producing the report.

This week, we take you behind the scenes of one of Monotype’s biggest, and most anticipated campaigns of the year: the annual Type Trends report. Tune in to hear from the report’s curators, Creative Type Directors Terrance Weinzierl and Emilios Theofanous on their experiences producing the report.

In-House International: Iterative, content-first design.

Aaron James Draplin: Getting into the ‘heavy stuff’ with.

We are thrilled to have Aaron Draplin on the podcast this week and to dig into the “heavy stuff” with him – existential musings on life and building a career, the importance of hanging on to your inner kid, and the “weird little spot” he’s in as he approaches 50 turns around the sun.

Monotype’s Executive Creative Director, Charles Nix, speaks with guests Michu Benaim Steiner and Lope Gutierrez-Ruiz, about their Texas-based design studio, In-House International. They’ve done type work for over 100 clients, and their typeface Perfora was recently featured in Monotype’s Type Trends Report. Keep reading for a behind-the-scenes look into their creative process.

Jim Moran: Preserving print history.

In our first episode of Season 3, we welcome the new Senior Director of the Monotype Studio, Tom Rickner, as a first-time host. Tom speaks with Jim Moran, master printer and collections officer for the internationally-known Hamilton Wood Type Museum. Keep reading for a glimpse into the museum’s history and to learn why the letterpress is still so important today.

Elliot Jay Stocks: Navigating a Universe of Type.

Elliot Jay Stocks, designer and musician, joined us on the podcast this week to speak about passion projects. Known for his typography work, Elliot is a freelance designer and was previously Creative Director at Adobe Typekit. Today, he’s working with Google on Google Fonts Knowledge. 

‘Live’ from Adobe MAX

We recently packed up our recording gear and traveled to Adobe MAX, one of the largest creative conferences in the world, to scan people’s brains (yes, really) and connect with creatives just like you. Listen to the episode to find out more. 

Craig Ward: From metal type to the digital unknown.

This week, host Charles Nix sits down with Craig to talk about his career, his myriad side projects and quirky pastimes, and how technology could revolutionize the way we use type and ensure the rights of ownership for designers.