Type resources for designers and brand owners
Creative Characters S4 E17: Searching for our inner child at Adobe MAX 2024.
Listen in for a behind-the-scenes look at Adobe MAX 2024. Tune in now to hear from twenty or so voices at MAX, all of whom were kind enough to share their time and their stories with us on the mic.
Creative Characters S4 E16: Exploring the American design story behind Field Notes with Jim Coudal.
Here’s the story of Field Notes, in all of its 3½ × 5½-inch glory, from co-founder Jim Coudal. Tune in now. No need to take notes (unless you want to, of course).
Creative Characters S4 E14: Never snap to guides: Exploring creative freedom with David Carson.
This week on Creative Characters, host Graham Sturt sits down with graphic design icon and the father of grunge typography, David Carson. Tune in now.
Creative Characters S4 E13: Embracing Chaos and Stillness: Astrid Stavro’s Design Philosophy.
This week, Monotype’s Executive Creative Director, Tom Foley, sits down with renowned graphic designer Astrid Stavro to explore her captivating journey. Tune in now.
Creative Characters S4 E12: From Parsons to Type Thursday: a conversation with Thomas Jockin.
This week on Creative Characters, host Charles Nix sits down with Thomas Jockin, the founder of Type Thursday, a global type meetup. Tune in for an interesting look at the intersection of type design, education, and community-building.
Creative Characters S4 E11: Kyle Read on the art (of the business) of type design.
Host Doug Wilson sits down with his long-time friend, Kyle Read, a distinguished type designer and graphic designer based in Denver, Colorado. Kyle shares his journey from studying at the Savannah College of Art and Design, working for various design studios and advertising agencies, to founding Badson Type Foundry. Tune in to hear Kyle’s story.
Dingbats beyond Wingdings Part 2: Zapf Dingbats, Webdings, Emoticons & Emojis.
Inspired by a conversation with the power-couple in typography who blessed the world with the Wingdings font families, we bring you a two-part deep dive into all things dingbats.
Dive into Dingbats Part 1: Interview with Wingdings creators.
Inspired by a conversation with the power-couple in typography who blessed the world with the Wingdings font families —Kris Holmes and Charles “Chuck” Bigelow—we bring you a two-part deep dive into all things dingbats. Here, in Part 1, we unpack dingbats with a focus on Wingdings; In Part 2, we look at “Dingbats beyond Wingdings: Zapf Dingbats, Webdings, Emoticons, and Emojis”.
Behind the Font: Font Licensing, demystified (Part 3 of 3).
In part 3 of Behind the Font, our Senior Vice President and Assistant General Counsel, Phil Carey-Bergren, and host, Carl Unger, discuss the implications of breaching font licenses, the significance of copyright, and what to do if you accidentally breach a contract or misuse a font license. Tune in now.
Behind the Font: Font Licensing, demystified (Part 2 of 3).
In part 2 of Behind the Font, our Senior Vice President and Assistant General Counsel, Phil Carey-Bergren, and host, Carl Unger, dissect the main parts of a font license and walk us through some common font licensing use cases you might see at work. Tune in now.
Behind the Font: Font Licensing, demystified (Part 1 of 3).
In the first-ever edition of our new podcast miniseries series Behind the Font, we dive in to the often murky and mysterious waters of font licensing. In part one, we get a crash course in recent font history to understand how licenses have evolved and why this matters to today’s brands, designers, and agencies. Tune in now.
Fonts: To free or not to free?
With so many fonts available for free, why should you ever pay for one?
This is the question many brands face. There are plenty of high-quality free fonts available from reputable libraries that will do the job for a variety of projects. In other cases, it’s worth paying for fonts from a foundry or subscription provider. Which is right for you? Here’s a guide to choosing the right option for your project.
Font management: Common digital challenges and how to fix them.
It’s well-known that font related issues can have a dramatic impact on your creative workflows, creative output as well as your admin teams. Lesser known, but just as important, is the impact fonts can have on your internal IT, as well as the digital experience you’re offering as a brand.
Brand Talks Paris
We recently had the pleasure of hosting Brand Talks in Paris. It was our second time ever hosting in the French capital and was a great success! Surrounded by stunning views of the Parisian skyline, the Eiffel tower looking over from afar, we sat down for a captivating afternoon, listening to some of the industry’s finest. Renaud Cambuzat from lingerie brand Chantelle kicked things off with a presentation about restructuring in an evolving market. Then, Reza Bassiri, from design agency Carré Noir, accompanied by Isabelle Duvernay (from CCF bank), presented two case studies: the rebirth of French banking landmark CCF, and the recent rebrand of the Kronenbourg brewery. Alexandre Delassus and Pascal d’Amico followed up with a candid presentation of sporting mega-brand Decathlon’s rebrand. Our very own Damien Collot and Laurène Girbal closed off the event with a poetic nod to what makes typography so fascinating and intriguing.
Australia’s Hulsbosch empowered by Monotype.
For the past forty years, Sydney-based strategic branding and design agency Hulsbosch has been delivering excellence for some of Australia’s leading consumer brands. Read on to learn how Monotype Fonts has streamlined creative work for Hulsbosch.
3D and Beyond: Monotype Fonts at Territory Studio.
Territory Studio is no stranger to pushing the boundaries of creativity. Driven by a passion for creative innovation, Territory’s San Francisco-based location is busy creating dazzling design work that is showcased across film, games, automotive, and digital products.
Why forward-thinking font planning pays off.
With great digital presence comes the great responsibility of protecting your digital assets. Fonts stand bravely at the frontlines of your organization’s brand, valiantly broadcasting its values at every touchpoint. Therein lies the question - how does a brand protect its fonts so the fonts can speak for the brand?