Pedro Arilla is a Creative Type Director, designer and typographer from Spain. Since 2010, he has been designing, writing, teaching and lecturing about typefaces. He started at Fontsmith in 2017, and joined the Monotype Studio team in 2020. He is interested in how typography plays a storytelling role in the intersection of culture, technology and sociology.
Tom Foley is a Creative Type Director for Monotype, and in his role, is responsible for leading a team of type designers creating fonts for the Monotype Library and corporate brands. Words and letters are in Tom’s blood - his great-grandfather was from a family of stonemasons that specialized in letter carving, and his uncle was a sign painter.
Phil is a Creative Type Director and type designer with many years of experience in the design and engineering of fonts for global brands. Working in collaboration with design studios and global clients, Phil understands the creative and business needs of brands looking to build continuity with type.
Creative Type Director Akira Kobayashi has three decades of experience, with an extensive background in Japanese typeface design and a deep understanding of calligraphy. After studying at Musashino Art University in Tokyo for four years, Akira Kobayashi accepted his first job at phototypesetting manufacturer Sha-Ken Co., where he was involved in the lengthy and intricate process of designing Japanese fonts.
Steve Matteson is a Creative Type Director at Monotype, and is a type designer, historian and letterpress printer. He has designed more than 80 typeface families including brand families for Toyota, Microsoft and Google, as well as for the Monotype Library, including a dozen revivals of Frederic Goudy’s typefaces.
Charles Nix is a Creative Type Director, designer, typographer and educator. He designed a number of popular typefaces in the Monotype Library, including Walbaum and Hope Sans, which received a Certificate of Typographic Excellence in the 22nd Annual Type Directors Club Typeface Design Competition. He’s also designed custom typefaces for Google Noto, Progressive Insurance and the Philadelphia Museum of Art.
Tom Rickner is a Creative Type Director with a career in type that spans more than three decades. During that time, he has mastered nearly every aspect of type design and font production, from his earliest days editing bitmaps, to designing some of the very first Multiple Master fonts for Adobe and TrueType GX Variations fonts for the Font Bureau and Apple.
Jelle Bosma is a Senior Type Designer for Monotype. He joined the company in 1992 as the leader of the TrueType team, and since then, his role has evolved and influenced many aspects of the ever-changing type landscape.
Carl Crossgrove is a Senior Type Designer at Monotype. From Carl’s early interest in calligraphy and drawing, through his youth and college years studying fine arts and book arts, to his eventual degree from Rochester Institute of Technology in Printing/Typography, the constant thread in Carl’s life has been his fascination with letterforms.
Ryota Doi is a Type Designer for Monotype. Ryota first became interested in type as a design student while at university in Japan. After receiving his BA in design from Tokyo University of the Arts, he enrolled in the MA typeface design program at the prestigious University of Reading, where he studied the differences between Japanese and Latin type.
Robin Hui joined Monotype Hong Kong as a type designer in 1988. He is currently the Chief Typographer and Production Manager of Monotype Hong Kong, responsible for a wide variety of type design and technology projects, including compression, hinting and rendering control of typefaces across different platforms. Before joining Monotype, he worked 10 years as a professional typesetter where Robin gained experience in how type is used effectively, while also developing a strong passion for Chinese typography.
Born in the UK, Ben Jones spent his formative years in Switzerland before returning to England to study Typography at the University of Reading. After completing the course, Ben’s focus increasingly shifted towards type design, eventually leading to his completion of the MA Typeface Design course at the University of Reading in 2011.