Resources

We recently caught up with Ximena Amaya, a young designer who is currently interning at Pentagram. Ximena talked about her own bold and sometimes rebellious design style, her passion for the feminist movement in her home country of Mexico, and how design can be used as a communication tool.

In a recent interview with Monotype, Sakinah Bell, discussed how creative work has provided an outlet to improve her mental health as well as to process current events. Bell described her colorful, bold use of hand-drawn type, her senior thesis focused on metamorphosis, as well as the personal significance of winning the scholarship after overcoming many of life’s hardships.

Every year, Monotype and the Type Director’s Club (TDC) award the Beatrice Warde Scholarship to a young woman entering the design industry. This prestigious scholarship pays tribute to the “first lady of typography,” Beatrice Warde, a champion of type education throughout her career with Monotype and the first female member of the TDC.

Creative Type Director, Tom Foley, sat down Antalis Creative Power to discuss the 2021 Type Trends report, the state of Sans Serif, and consider what makes a font timeless in his latest interview.

First published on Antalis Creative Power

Phil Garnham, Senior Creative Type Director at Monotype Studio explores the evolution of type in digital and celebrates the heritage at the heart of the Burger King rebrand.

First published on BITE

Artists pour their heart and soul into their craft and creations and in an ideal world, every artist would be recognized and paid appropriately for their efforts. In reality, however, artists often have to fight for their rights to be upheld. This has been true for centuries and is only intensifying in the digital era.

Monotype is thrilled to introduce the recipients of the second annual Type Champions Award, a program that recognizes brands for their creative, innovative, and memorable use of typography in developing and maintaining their brand identities.

Monotype’s Futura Now family is a revival and expansion of the famous typeface we all know so well. But do we know it, really?

Ed Benguiat loved to draw letters. It’s what he did best. When he was not creating a new typeface, he could usually be found working on a piece of hand lettering or logo design for one of his many clients.