The Helvetica Now Font Family was designed by and published by Monotype. Helvetica Now contains 96 styles and family package options.
The Avenir Next World Font Family was designed by and published by Linotype. Avenir Next World contains 20 styles and family package options.
The Futura Now Font Family was designed by and published by Monotype. Futura Now contains 102 styles and family package options.
The Helvetica Now Variable Font Family was designed by and published by Monotype. Helvetica Now Variable contains 2 styles and family package options.
The Neue Haas Unica Font Family was designed by and published by Linotype. Neue Haas Unica contains 18 styles and family package options.
Long gone are the days of zipping up folders of font files and sharing them across your organization, or even messier, embedding fonts in documents in the cloud in hopes that the design remains intact.
Monotype provided an update today, six months after announcing the acquisition of Hoefler&Co, a prominent type foundry based in New York City.
We recently partnered with KnownUnknown to create an NFT project featuring more than two dozen artists from around the world, working in mediums such as graphic design, branding, footwear design, and photography, all of whom are using Helvetica Now Variable to create unique, original art.
The right typeface for your design can truly set you apart, yet there are hundreds of thousands of fonts, and each is crafted distinctively. So how do you know you found the right one? Sign up for our free webinar and learn how to explore typefaces like a typographer from our panel of creative experts.
FF DIN Slab distinctively carries on its parent’s DNA, it expands the DIN family worthily — independent but integrated — and opens totally new possibilities of uses with the whole DIN family.
Bestowed with its parents distinctive DNA, FF DIN Stencil opens up new possibility with its own unique qualities, but stays true to the FF DIN design philosophy of engineered precision. The FF DIN family breathes an atmosphere of versatility and authority, FF DIN Stencil follows the same design principles with extra flair.
Over the past four years, we’ve been lucky to forge a reciprocal partnership with the Limerick School of Art & Design / TUS in Ireland. Both Creative Type Directors Tom Foley and Emilios Theofanous have now participated in workshops and modules at the leading fine art, design and creative media school.
In this week's episode, Phil Garnham talks with schoolmate David Sheldon-Hicks, the co-founder and Executive Creative Director of Territory Studio, a design firm that has worked on the veritable who’s-who of recent blockbuster films and video games.
Can fonts influence our response to taglines and slogans? Can they encourage us to perceive a company logo in a more positive way? Do they really build trust between brands and consumers? Check out this webinar to find out.
This week, our host Bill Connolly chats with new media creative, Greg Lutze. Greg founded VSCO and Plaza, and is an advisor and artist based out of California.