The Helvetica Now Font Family was designed by and published by Monotype. Helvetica Now contains 96 styles and family package options.
The Avenir Next World Font Family was designed by and published by Linotype. Avenir Next World contains 20 styles and family package options.
The Futura Now Font Family was designed by and published by Monotype. Futura Now contains 102 styles and family package options.
The Helvetica Now Variable Font Family was designed by and published by Monotype. Helvetica Now Variable contains 2 styles and family package options.
The Neue Haas Unica Font Family was designed by and published by Linotype. Neue Haas Unica contains 18 styles and family package options.
Initially designed for Fanfare Press, the Fanfare typeface packed more into a small space than most typefaces. It was a natural for book and movie titles, and more general branding. Albertus is serious, classical and monumental, while Fanfare is modern, light and playful.
In the Albertus Nova typeface, Toshi Omagari has revived a number of alternate capital letters created by Berthold Wolpe that have been unavailable in the existing digital version. This includes the uppercase M, W, J, E, R and Q. He designed five weights - light, thin, regular, bold and black- as well as Greek and Cyrillic characters.
Read our GDPR strategy guide, articles and FAQ to learn more about the changing privacy landscape and what it means at Monotype. We are well positioned to help our customers adapt to the changing regulations and see it as an opportunity for brands to build even more meaningful engagement with their customers over the long term.
SAP3
Monotype’s Terrance Weinzierl helped software company SAP to develop a typeface for SAP Fiori, for which SAP won a Red Dot Award in 2015. It was important that the design of the typeface works well in text-based UI environments without compromising on personality. The new typeface, called 72, has won a 2017 Red Dot Award.
With roughly 144 million customers spread across the world and a myriad of different business units for both personal and commercial banking, it was important that Santander develop a brand identity that could be flexible for the needs of each individual market, featuring a typeface designed to engage its global audience in more consistent ways.
Sagrantino4
Sagrantino™ shines at large sizes – and in vibrant colors. Think big posters, commanding headlines, massive banners and oversized packaging. Set headlines in the Highlight or Shadow designs and running copy in the Regular – all on the same page! Sagrantino could be called the Lava Lamp of fonts.
Monotype worked with noted illustrator Sir Quentin Blake and his team to recreate his handwriting as a bespoke typeface. A typeface in the style of his writing had been created for use in publishing some years ago but, as time went by, its limitations had become more noticeable.
Monotype’s Toshi Omagari worked in close partnership with DesignStudio to create a hard-working geometric sans serif for Premier League that could confidently perform across a huge number of mediums – from screens and shirt numbers to TV and league tables.