The Helvetica Now Font Family was designed by and published by Monotype. Helvetica Now contains 96 styles and family package options.
The Avenir Next World Font Family was designed by and published by Linotype. Avenir Next World contains 20 styles and family package options.
The Futura Now Font Family was designed by and published by Monotype. Futura Now contains 102 styles and family package options.
The Helvetica Now Variable Font Family was designed by and published by Monotype. Helvetica Now Variable contains 2 styles and family package options.
The Neue Haas Unica Font Family was designed by and published by Linotype. Neue Haas Unica contains 18 styles and family package options.
Schriften sind mehr als nur ein Design-Element. Sie sind ein essenzieller Bestandteil jeder Kommunikation und müssen für alle zugänglich und leserlich sein. Barrierefreie Typografie ermöglicht die Wahrnehmung von Information ohne Hindernisse, unabhängig von Einschränkungen wie Sehbehinderungen oder Leseschwierigkeiten.
Henning Krause has taken on many roles — designer, founder, president, manager — and he’s never stopped evolving. With a lifelong passion for structure, systems, and culture, he’s now helping shape how Monotype thinks about fonts — not just as digital tools, but also as deeply human expressions.
There comes a time in every organization’s life when a makeover becomes essential. Whether the term “rebrand” fills you with anxiety or excitement, your success hinges on understanding market dynamics and your brand’s true essence.
Dive into the summer as we revisit South African beach calligraphy, off-season Jersey Shore nostalgia, and the quirky charm of the British seaside. Tune in for an episode all about art, memory, and the magic of the coast.
Monotype Imaging Inc. announced its acquisition of Design210, a well-known type foundry based in Seoul, South Korea. Design210’s extensive font inventory and industry expertise will enable Monotype to better support the growing Korean market and meet the increasing demand for Korean typefaces from creatives and customers worldwide.
Recently, Charles Nix, senior executive creative director at Monotype, was asked to share his expertise on Pope Francis’ tombstone and the attention its design has drawn. Read on at The New York Times for insights from Charles Nix on mathematical vs. harmonious kerning and why the spaces between letters have such a large impact.
This week, Sara Soskolne joins Doug Wilson to talk about the craft, challenges, and quiet joys of type design. Tune in now.
In this recurring feature in our “Fonts Having a Moment” series, we’ll be exploring cities around the world through the dual lenses of culture and typography, guided by our friends at Monotype and some of our partner foundries.
