The Helvetica Now Font Family was designed by and published by Monotype. Helvetica Now contains 96 styles and family package options.
The Avenir Next World Font Family was designed by and published by Linotype. Avenir Next World contains 20 styles and family package options.
The Futura Now Font Family was designed by and published by Monotype. Futura Now contains 102 styles and family package options.
The Helvetica Now Variable Font Family was designed by and published by Monotype. Helvetica Now Variable contains 2 styles and family package options.
The Neue Haas Unica Font Family was designed by and published by Linotype. Neue Haas Unica contains 18 styles and family package options.
Monotype Imaging Inc. has selected the first ever typographic expression for the Pantone Color of the Year 2026, PANTONE 11-4201 Cloud Dancer, announced today.
How can creativity drive real climate action? Tune in for an inspiring conversation on how bold design thinking can help tackle climate change and shape a more hopeful future.
In this recurring feature in our “Fonts Having a Moment” series, we’ll be exploring cities around the world through the dual lenses of culture and typography, guided by our friends at Monotype and some of our partner foundries.
A self-described "huge type nerd,” Dan Rhatigan is a longtime type designer, educator, historian, publisher, and collector with a fondness for fading and obsolete typographic technologies.
Curious about what makes Adobe MAX 2025 a hub for creativity? Tune in now for an inside scoop on the event that draws thousands of creatives each year.
Penguin celebrates its 90th anniversary this year. One of the most influential identities in publishing, typography has been central to Penguin from its start. Nix recently spoke with Emily Gosling at Creative Boom on the iconic Penguin brand, how the publisher has changed over the years, and his own personal connection to Penguin.
In all its remarkable variety, handwriting has long acted as a form self-expression. But as writing has become mediated more and more by keyboards and screens, handwriting and cursive styles have taken the back seat to typography, particularly for Millennials and Gen Z.
