
DNS1
DIN Next Slab
DIN Next Slab, also produced under the direction of Akira Kobayashi, the typeface is a variant based on the optimized shapes of DIN Next. The expansion will make the popular font all the more flexible and versatile.
DNS1
DIN Next Slab, also produced under the direction of Akira Kobayashi, the typeface is a variant based on the optimized shapes of DIN Next. The expansion will make the popular font all the more flexible and versatile.
Between1
Akira Kobayashi’s Between™ typeface comes in three main states. While different from each other, they all offer human-centered design to ensure that copy set in them is affable and approachable.
Unitext1
Created with the needs of branding design in mind, Jan Hendrik Weber's Unitext is a crisp, clean typeface that functions well across print and online use. It blends humanist and grotesque qualities, adopting a style that the designer describes as “neo grotesque”.
When he discovered the Sachsenwald typeface, Toshi Omagari saw the opportunity to revive and preserve a beautiful blackletter design. Toshi adding an alternate X character, and created light and regular weights to accommodate a whole new set of uses.
The Pegasus typeface, originally designed by Berthold Wolpe, is full of surprises. The E and F both have oversized serifs. The A and H have cross bars of very different thicknesses. The K and g look a little unhinged, and the g boasts a distinctive, spiky loop.
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Hosted by Friedrich Althausen, Creative Type Director at Monotype, and Prof. Florian Adler, Managing Partner at adlerschmidt GmbH, Monotype’s latest webinar explores the critical role fonts play in accessibility.