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DIN Next Slab, also produced under the direction of Akira Kobayashi, the typeface is a variant based on the optimized shapes of DIN Next. The expansion will make the popular font all the more flexible and versatile.

Akira Kobayashi’s Between™ typeface comes in three main states. While different from each other, they all offer human-centered design to ensure that copy set in them is affable and approachable.

Created with the needs of branding design in mind, Jan Hendrik Weber's Unitext is a crisp, clean typeface that functions well across print and online use. It blends humanist and grotesque qualities, adopting a style that the designer describes as “neo grotesque”.

When he discovered the Sachsenwald typeface, Toshi Omagari saw the opportunity to revive and preserve a beautiful blackletter design. Toshi adding an alternate X character, and created light and regular weights to accommodate a whole new set of uses.

The Pegasus typeface, originally designed by Berthold Wolpe, is full of surprises. The E and F both have oversized serifs. The A and H have cross bars of very different thicknesses. The K and g look a little unhinged, and the g boasts a distinctive, spiky loop.