The Helvetica Now Font Family was designed by and published by Monotype. Helvetica Now contains 96 styles and family package options.
The Avenir Next World Font Family was designed by and published by Linotype. Avenir Next World contains 20 styles and family package options.
The Futura Now Font Family was designed by and published by Monotype. Futura Now contains 102 styles and family package options.
The Helvetica Now Variable Font Family was designed by and published by Monotype. Helvetica Now Variable contains 2 styles and family package options.
The Neue Haas Unica Font Family was designed by and published by Linotype. Neue Haas Unica contains 18 styles and family package options.
Few typefaces are as deeply connected to a cultural moment as Gotham. Once chosen as the keystone typeface for the Obama for America campaign in 2007, Gotham Bold became synonymous with the campaign’s message of hope and change.
Font decisions carry real weight, with the ability to impact trust, signal values, and express personality. Fonts are no longer a back-end concern; they’re essential storytelling tools for brands and individuals alike. This is especially evident with younger generations.
Playtype is based in Copenhagen, Denmark, and was born out of founder Jonas Hecksher’s graphic design practice. In this video, members of their design team share insights into their process and what guides a typeface project: intended purpose and deadlines!
Matteson Typographics is a Boulder, Colorado USA studio run by Steve Matteson. This video shares how music, nature, mechanical drawing, and letterpress printing have inspired him as an artist and type designer.
In this week’s episode, Joy Nazzari of DNCO shares how design, leadership, and connection to place intersect—revealing how embracing discomfort fuels creativity and how great branding can turn neighborhoods into places people truly feel. Tune in now.
Cadson Demak was founded 25 years ago, and is a leading voice in type design in Bangkok, Thailand. They share how they think about type in relation to the world around them, and why they believe type designers are trend setters.
Our generational differences impact our communication and collaboration styles and preferences — particularly in the workplace. How can we best bridge these differences to effectively communicate, learn, and build relationships with our colleagues? Whether in person or via screens, it’s essential to learn to work together.