The Helvetica Now Font Family was designed by and published by Monotype. Helvetica Now contains 96 styles and family package options.
The Avenir Next World Font Family was designed by and published by Linotype. Avenir Next World contains 20 styles and family package options.
The Futura Now Font Family was designed by and published by Monotype. Futura Now contains 102 styles and family package options.
The Helvetica Now Variable Font Family was designed by and published by Monotype. Helvetica Now Variable contains 2 styles and family package options.
The Neue Haas Unica Font Family was designed by and published by Linotype. Neue Haas Unica contains 18 styles and family package options.
Font and creative asset licensing myths can seduce even the most sensible of creative teams. That’s because when we humans don’t understand something…well, if it’s complicated, we tend to oversimplify it…and/or ignore it.Or fill we fill in the blanks using our own “logic.
Everyone wants to believe they're too savvy to fall for scams, but from phishing to spoofing, hijacks to deepfakes, today's scams are faster, smarter, and harder to identify than ever before. Fake invoices, counterfeit PDFs, and cloned webpages all post a risk.
Efficient creative operations is the glue that holds top marketing, design, and production teams together. In the fast-paced world of creative work, every minute counts, and inefficiencies lead to costly delays.
Max Phillips, founder of Signal Type, shares his journey from designing theater posters as a teen to running a type foundry in Dublin. Tune in now.
A Font Manager Delivers Designs Worth Talking About.
Do you know whether you might be using a font illegally? Most people understand the risk of license infringement for software but many don’t know that fonts are licensed in a similar way.
Carefully selected after much deliberation, the perfect font can make the difference between a lackluster marketing campaign and a strong brand identity that leaves an unforgettable impression.
As General Counsel of one of the world’s largest foundries, my legal team and I are always monitoring developments in copyright law and concepts related to font software and typeface designs. This article will summarize some of those developments and provide some general history and background context where appropriate.
