The Helvetica Now Font Family was designed by and published by Monotype. Helvetica Now contains 96 styles and family package options.
The Avenir Next World Font Family was designed by and published by Linotype. Avenir Next World contains 20 styles and family package options.
The Futura Now Font Family was designed by and published by Monotype. Futura Now contains 102 styles and family package options.
The Helvetica Now Variable Font Family was designed by and published by Monotype. Helvetica Now Variable contains 2 styles and family package options.
The Neue Haas Unica Font Family was designed by and published by Linotype. Neue Haas Unica contains 18 styles and family package options.
This week, join Veronika Burian, co-founder of TypeTogether, as she shares how design, travel, and collaboration shape her creative journey across the globe. Tune in now.
Monotype Imaging Inc. today released findings from its new multi-country report, Fonts, Feels, & Reels: Generational Attitudes to Type, as part of the company’s ongoing Re:Vision campaign.
In this recurring feature in our “Fonts Having a Moment” series, we’ll be exploring cities around the world through the dual lenses of culture and typography, guided by our friends at Monotype and some of our partner foundries. This time, get to know Stockport, UK with Alister Shapley of Applied Systems Design Studio.
Join host Livia Halltari as she sits down with designer Cihan Tamti to explore his creative journey—from graffiti beginnings to branding for global clients—and discover how he stays rooted in community through pro bono work and local festival identities.
New multi-country survey reveals operational inefficiencies, compliance risks, and untapped technology ROI — with font management emerging as mission-critical to creative operations.
This week we revisit an conversation with design legend, Aaron Draplin, originally published in 2023. This insightful and candid episode offers inspiration and perspective for designers and creatives of all levels — tune in now.
For Anna Damoli, creativity is less a choice than a reflex. Whether she’s sketching letterforms, sewing her own clothes, or roller skating, she’s always building or learning something from scratch. “I’m a maker,” she says. “I love that feeling of starting with nothing and bringing something into the world.
Think of buying and managing fonts like choosing footwear. Stilettos can look fab and work perfectly in the right situation — but they’re not right for every occasion or every person. Self-service font stores like MyFonts offer convenience and instant access, ideal for smaller projects or one-off purchases.
Behind every font is an type designer’s time, creativity, and craft; and behind every license is a set of practical factors: where the font appears, how often it’s used, how many people interact with it, and how central it is to your brand’s identity.
Many businesses assume they’re covered for the long haul once they secure a font license, to only to find out that isn’t the case. Many businesses assume they’re covered for the long haul once they secure a font license, only to find out that isn’t the case.