Monarda™
Monarda™ is Terrance Weinzierl’s take on the loud and splashy brush scripts of the 1950s. It’s energetic, playful, and equally at home in hardcopy headlines as it is in interactive banners.
Monarda™ is Terrance Weinzierl’s take on the loud and splashy brush scripts of the 1950s. It’s energetic, playful, and equally at home in hardcopy headlines as it is in interactive banners.
Terrance Weinzierl's Terry Junior typeface is a perfectly imperfect design – one that retains the marks of the brush used to create it and harks back to the craft required to hand make letterforms.
Mundo Sans is distinctive, approachable – and ready to tackle jobs both big and small.
Mundo Sans, by Carl Crossgrove for the Monotype Studio, is distinctive, approachable – and ready to tackle jobs both big and small. Its open counters and large x-height, which give the design a straight-forward no-nonsense mien, are softened by inviting calligraphic undertones.
Drawn specifically for comfortable reading on-screen and in print, Mundo Serif is ready to take on just about any project. While primarily designed for text copy in print and digital, Mundo Serif becomes a powerful display type tool in the lightest and boldest weights.
The Neue Haas Unica™ family is an extended, reimagined version of the Haas Unica® design, a Helvetica® alternative that achieved near mythical status in the type community before it virtually disappeared.
Originally designed in 1928, Plak is something of a lost gem in the type world. Despite being drawn by Futura creator Paul Renner, it never achieved the same popularity and spent decades lacking a much-needed digital revival.
The Joanna® Sans Nova family is the only typeface in the Eric Gill Series that was not initially designed by Gill.
Monotype Ying Hei, a new Chinese sans serif family with five weights, was designed and built for performance and elegance on screen and in print. It covers both Simplified & Traditional version.
The Bustani™ typeface is a typographic interpretation of Naskh.
The Bustani™ typeface is a typographic interpretation of Naskh, a principal calligraphic style of Arabic script.
Hope Sans™ takes the jaunty style of 1950s and 60s lettering and melds it with the jubilant 1970s swashes of Bookman.
Hope Sans™ takes the jaunty style of 1950s and 60s lettering and melds it with the jubilant 1970s swashes of Bookman. The result is a sans serif family that is lively, inviting and deeply customizable.